More work tomorrow. We'll continue to churn out signs, finish the gizmos, finish up some packing, begin truck-loading, and probably a whole bunch of other stuff. If you're in the Boston area, come on by and join the fun.
]]>
A team is tracking down books from the NESFA library that have the cover art corresponding to the pieces that will be in the Retrospective Art Exhibit.
Putting together lighting fixtures to light the Saturn rings.
Processing membership transfers.
After Interaction announced that they were conducting a Hugo base design competition similar to Noreascon Four's, Deb wrote:
Um, I have to tell you that your spec is wrong -- and I suspect I know where you got the wrong spec. I'm posting this openly because it's one of those sorts of Smoffish "gotchas" that other folks need to know about.
So N4 had this contest. And we got the rocket spec by measuring an old un-trophied rocket that was in the NESFA Clubhouse from, I believe, Noreascon Three. And we gave this rocket to our Hugo designer so he could make everything work out.
We also had a contest for the Retro Hugo trophies, and, since we'd given the spare rocket to our Hugo designer, we sent a Retro trophy from MilPhil off to the Retro designer.
Ahem. Somewhere in the 12 years since we got the rocket we've had kicking around in Boston, and MilPhil in 2001, the thread spec changed. The bolt to be used (and, hence, the bore of the rocket) is now 5/16-18 bolt, rather than 1/4-20.
All 38 of the rockets we got from the UK were the new spec. (I'd never thought to ask...just ordered the rockets. This was a *doh* I'm not sure I could have anticipated or planned for.)
Fortunately, our Hugo designer is an ME...but the words "rebore the rockets" were being bandied about a bit, before he found another design solution.
]]>![]()
The Souvenir Book cover was printed on an offset press at Saltus, the printer who's done all of our progress reports. Here Jerry, the press operator, compares the color against the proof. My instructions were that I wanted the colors to "glow." I think they succeeded...
Representive sample sheets are pulled while the press is running. It's then stopped while we study the results.
Jerry checks the color with a densitometer,
![]()
Then we go through the process again.
5-color Heidelberg press. Or, in our case, 4 colors plus varnish.
From glowing press to glowing sheet.
Jerry packages up our samples; one is hanging at the clubhouse now.
This is so cool. And you all rock. We had a number of very, very helpful volunteers show up, and they made things run smoothly. With luck, many of them can come back this week!
Best,
Deb
]]>
First step in badge production is separating the badges printed on perforated sheets.
Step 2, stuff the card stock into the laminate pouch.
Step 3, Run them through the laminators.
Step 4, Punch a hole in the top.
Last step, sort them into alphabetical order.